Poems, Imitations & Translations

Showing posts with label César Vallejo. Show all posts
Showing posts with label César Vallejo. Show all posts

Friday

Theme & Variations (2010)


Douglas Adams: Babel-Fish
[The Hitchhiker's Guide to the Galaxy (1981)]


Poetry off the Page

Guest Lecture
(Tuesday, 18 May, 2010)

Opinions on Translation:


Poetry is what gets left out in translation.
– Robert Frost


What is translation? On a platter
A poet’s pale and glaring head,
A parrot’s speech, a monkey’s chatter,
And profanation of the dead.
– Vladimir Nabokov


el original es infiel a la traducción
[the original is unfaithful to the translation]
– Jorge Luis Borges


Translation is so far removed from being the sterile equation of two dead languages that of all literary forms it is the one charged with the special mission of watching over the maturing process of the original language and the birth pangs of its own.
– Walter Benjamin


Walter Benjamin’s view of the translator [is] one who elicits, who conjures up by virtue of unplanned echo a language nearer to the primal unity of speech than is either the original text or the tongue into which he is translating … this is why, says Benjamin, ‘the question of the translatability of certain works would remain open even if they were untranslatable for man’.
– George Steiner


•

[Fresco in Herculaneum]

The Masks of Catullus:
Methods of Translation

Odi et amo, quare id faciam, fortasse requiris.
Nescio, sed fieri sentio et excrucior.

– Catullus (c.84-54 BC): Elegy LXXXV

word-for-word crib:

Ōdī ět ămō, quārē ĭd făcĭăm, fŏrtăssě rěquīrĭs.
I detest and I love. Why that I may do, perhaps you ask.
Nĕscĭō sěd fĭěrī sěntĭŏ ět ěxcrŭcĭŏr.
I do not know, but to become I sense and I am tortured.

rhyming couplets:

I hate and love; would’st thou the reason know?
I know not, but I burn, and feel it so.
– Richard Lovelace (1618-1657)

I hate and love – ask why – I can’t explain;
I feel ’tis so, and feel it racking pain.
– Charles Lamb (1775-1834)

literal version:

I hate and love. Why? You may ask but
It beats me. I feel it done to me, and ache.
– Ezra Pound (1885-1972)

aural transcription:

O th’hate I move love. Quarry it fact I am, for that’s so re queries.
Nescience, say th’ fiery scent I owe whets crookeder.
– Louis Zukofsky (1904-1978)


There were many words that you could not stand to hear and finally only the names of places had dignity. Certain numbers were the same way and certain dates and these with the names of the places were all you could say and have them mean anything. Abstract words such as glory, honor, courage, or hallow were obscene beside the concrete names of villages, the numbers of roads, the names of rivers, the numbers of regiments and the dates.

- Ernest Hemingway, A Farewell to Arms (1929)



The Exercise:


  • You will be given a copy of a poem in a foreign language.
  • The text will be accompanied by a literal translation.
  • I want you to write me your own poem using these two components.
  • It can be a translation (as free, or literal, as you like) of the text you were given.
  • Or it can be more obviously your own poem (though it should incorporate some ideas, words, lines or concepts from the original you were given).
  • Type the text of your poem into an email and post it to me to be put up on this blog.



•

Authors:



[Marten Van Valckenborch I (1534-1612):
The Building of the Tower of Babel]

Saturday

Trilce


[Machu Picchu]


Spanish:


Trilce – XV


En el rincón aquel, donde dormimos juntos
tantas noches, ahora me he sentado
a caminar. La cuja de los novios difuntos
fue sacada, o talvéz qué habrá pasado.

Has venido temprano a otros asuntos
y ya no estás. Es el rincón
Donde a tu lado, leí una noche,
entre tus tiernos puntos
un cuento de Daudet. Es el rincón
amado. No lo equivoces.

Me he puesto a recordar los días
de verano idos, tu entrar y salir,
poca y harta y pálida por os cuartos.

En esta noche pluviosa,
ya lejos de ambos dos, salto de pronto …
Son dos puertas abriéndose cerrándose,
dos puertas que al viento van y vienen
sombra a sombra



- César Vallejo (1892-1938)


Literal translation:


Trilce
Trilce


En el rincón aquel, donde dormimos juntos
In that corner, where we slept joined
tantas noches, ahora me he sentado
so many nights, now I have sat down
a caminar. La cuja de los novios difuntos
to walk. The bedstead of the dead lovers
fue sacada, o talvéz qué habrá pasado.
was taken away, or perhaps what will have happened

Has venido temprano a otros asuntos
You’ve come early on other business
y ya no estás. Es el rincón
and already you’ve gone. It is the corner
Donde a tu lado, leí una noche,
where at your side, I read one night
entre tus tiernos puntos
between your tender points
un cuento de Daudet. Es el rincón
a story of Daudet’s. It is the corner
amado. No lo equivoces.
loved. Don’t mistake it.

Me he puesto a recordar los días
I have got down to remembering the days
de verano idos, tu entrar y salir,
gone-by of summer, your entrance and exit,
poca y harta y pálida por os cuartos.
few and fed-up and pale through the rooms.

En esta noche pluviosa,
In this rainy night
ya lejos de ambos dos, salto de pronto …
already far from both of us, I start up suddenly …
Son dos puertas abriéndose cerrándose,
There are two doors opening and shutting themselves
dos puertas que al viento van y vienen
two doors which come and go in the wind
sombra a sombra
shadow to shadow


[César Vallejo]

•

Versions:




1.

Trilce – XV



Horn, while we sleep together
Other victims were sent to fans, or may not happen.
Dead Lovers Holiday
adopted, or it can be.

Emprano you on other things and you do not know.
Where you sat up late reading point in your story
ernments Daudet. This is a favorite corner. Not in order.
I remember those days

Summer Street, come and go,
Others with less fatigue, and you have a chance.

OK, the rain and the two quickly split ... errándose
has two doors, two doors, coming and going of
the shadow of the shadow of the wind


2.

Trilce – XV



corner to the UN, about the length of sleep
Many nits and is now Sat
Walk. The rest of the dead lovers
Then Adopted, or perhaps He Who could succeed

You come to a beginning of other questions
No longer. This is the angle
On my part is that red One night
Among the items on auction
The story of Daudet. This angle is
I like. Nothing wrong.

Remember that some dies
Summer gold were sold
A bright little weary and His rooms...

On this rainy night
One of the two Countries and break soon ...
Open rates are a close
2 ports, which come and go in the vent
Shadow shadow.

- Bronwyn, Sabrina & Jon