Poems, Imitations & Translations

Showing posts with label 2024. Show all posts
Showing posts with label 2024. Show all posts

Thursday

Poetry Specials



Bronwyn Lloyd: Pania Press Archive (2006-2016)

Poetry Specials
2008-2026




  1. (November 6, 2008) Minotaur. Design by Bronwyn Lloyd (Auckland: Pania Press, 2008)




  2. ((November 23, 2008) Je donne à mon espoir. Design by Bronwyn Lloyd (Auckland: Pania Press, 2008)




  3. (February 12, 2009) Volcanic Glass. Pottery by Len Castle (Napier: Mountain to the Sea Exhibition, 2008)




  4. (May 27, 2009) Poets at Seven Years Old. Design by Bronwyn Lloyd (Auckland: Pania Press, 2009)




  5. (December 25, 2009) Silhouette. Design by Bronwyn Lloyd (Auckland: Pania Press, 2009)




  6. (January 18, 2011) Pale Star. Design by Bronwyn Lloyd (Auckland: Pania Press, 2011)




  7. (October 9, 2011) Lounge Room Tribalism. Collage by Graham Fletcher. Design by Bronwyn Lloyd (Auckland: Pania Press, 2011)




  8. (December 25, 2011) Britain’s Missing Top Model. Design by Bronwyn Lloyd (Auckland: Pania Press, 2011)




  9. (July 13, 2012) Except Once. Painting by Kirsty Black. (Howick: Korero Exhibition, 2012).




  10. (August 22, 2014) Jay Checks His Father into a Home. Design by Phantom Billstickers (Auckland Library: Poetry on Posters Programme, 2014)




  11. (August 28, 2015) Ice Road Trucker. Design by Daniel Fyles (Ashhurst: Fyles Web Design, 2015)




  12. (December 25, 2015) Antigone. Design by Bronwyn Lloyd (Auckland: Pania Press, 2015)




  13. (December 25, 2016) 1942. Design by Bronwyn Lloyd (Auckland: Pania Press, 2016)




  14. (August 25, 2017) Canberra Tales. Design by Dianne Firth (University of Canberra: Poetry and Place Exhibition, 2017)




  15. (November 6, 2017) Rather a shock. Design by Bronwyn Lloyd (Auckland: Pania Press, 2017)




  16. (December 25, 2017) Time for an outing. Design by Bronwyn Lloyd (Auckland: Pania Press, 2017)




  17. (November 6, 2018) Malinche Dreams. Design by Bronwyn Lloyd (Auckland: Pania Press, 2018)




  18. (November 6, 2022) Scurvy Grass. Design by Bronwyn Lloyd (Auckland, 2022)




  19. (October 5, 2024) Unpopular Mechanics. Room-sheet for Emma Smith's exhbition The Municipal Gardens (Auckland: the waiting room, 2024)




  20. (November 14, 2024) BECN. Design by Roseanne Bartley, Love Letters and Other Correspondences (Melbourne: Press Print, 2024)




  21. (April 18, 2026) Reading Cold Mountain in interesting times. Programme for Emma Smith's exhbition Deadmans Block (Auckland: New Lynn Community Centre, 2026)



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Tuesday

BECN (2024)


Roseanne Bartley: Love Letters and Other Correspondences (2024)

(November 14, 2024) [with Bronwyn Lloyd] “U.” Love Letters and Other Correspondences: An Artist Curated Book by Roseanne Bartley. ISBN 978-0-646-89402-7. Melbourne: Press Print, 2024: 61.

U


Until recently, I was unaware that my husband Jack had been sampling from our conversations over a period of 101 days. These samplings were part of a low-stakes exercise designed to unblock his creative writing practice through the simple task of committing to writing one poem a day.

Jack presented me with the drafts of the 25 poems from the group that featured things I'd said or done, and reading them, I was struck by the "un"ness of some of my exchanges with him.

The unromantic way I threatened (in jest) to 'put him out to grass' if he continued to forget things, The unkindness of a remark (in jest) that I'd had enough of his shit and was leaving him. But the "un" that surprised me most related to several poems where I made comments about his softness, his unmanliness, culminating in the poem BECN about a gift I bought Jack last year:

BECN

Bronwyn gave me a necklace made by Renee Bevan for my birthday or perhaps a necklet If you think it’s unmanly you can wear it under your shirt I thought it’d be bigger somehow like dog-tags a small lozenge made of silver on the front it says BE on the back CN be seen? beacon? it seems to be saying something about not hiding your light under a bushel quite fitting from the creator of wearing the world like a pearl I wear it with pride

(9/12/22-5/7/23)



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You see, Jack's "unmanliness" is the thing I love about him the mmost, from the moment I first saw him cross the floor of the wharenui at Te Rau Aroha Marae wearing his striped winceyette pyjamas, buttoned to the throat.

May his unmanliness continue to shine like beacon our whole lives through.



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Renee Bevan: The World is a Giant Pearl
[Photograph: Caryline Boreham]




Monday

Unpopular Mechanics (2024)


Emma Smith: Living with Caves (2024)

(5-6 October, 2024) Emma Smith: The Municipal Gardens. Auckland: The Waiting Room, 2024.

Unpopular Mechanics:
Crossing Auckland for Emma Smith

Relying on Kylie the GPS voice to route us round the roadworks at the entrance we drove into the campus found a parking place no payment needed after 4 pm walked over to the exhibition space past the table of refreshments quite a spread wine fruit-juice grapes chips dips then into the high L-shaped room Emma was around the bend three paintings on one wall the other facing them grey roiling clouds a few brave emblems flapping in the wind like shards of Pharaoh’s army drowned in the Red Sea caught as a Renaissance painter might if they wanted to display their dexterity then after a few words with Emma handing her a book for Will my erstwhile publisher we went out past the kids walked over to the car and drove off on our way back home two hours from go to woe on the way out I waited for the red light for right-turning traffic rather than the free left turn

(7-9/9/24)



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Emma Smith: Even though you have lost your horse, don't pursue it
[oil on canvas] (2011)




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Tin Grew: Emma Smith (2011)